Updated November 6, 2018
Hujisawa Kazuo is the born son of the great Makie artist, Hujisawa Tadao. Makie is a traditional lacquer art in Japan. After graduating from school, Kazuo learned and acquired the skills and techniques of Makie and devoted himself to the lacquer work of Iiyama.
The Buddhist Altar
Kazuo also launched into Buddhism altar and created new designs that match the modern style of Buddhism. He has won several Buddhism alter awards.
Today, Kazuo is developing the fusion concept of jewels, watches, kaleidoscope and music box to his lacquer works. Kazuo is constantly developing new manufacturing techniques that imbibe traditional and modern Makie thus making it attractive to the old and new generation.
His success is greatly attributed to the people who have worked with him in the Makie world. Kazuo is passionate of creativity, innovation and modernization and his ultimate aim is providing complete satisfaction to his customers.
History of Hujisawa Makie Corp.
1950. Tadao started engaging in lacquer work in Iiyama Buddhist altar certified by the Ministry of Economy, Trade and Industry.
1990- 2nd generation Makie art- Kazuo opened the lacquer workshop, ‘Irodori’ and joined products promotion association in Nagano. His works were introduced through exhibitions held in famous Japanese department stores like Mitsukoshi and Takashimaya.
2012- Kazuo established Corp. Hujisawa Makie and was appointed as CEO of the company.
2013- 3rd generation, Yuichi joined the company.
2015- The company started collaboration with lacquer artists in Wajima, equally well known for Makie. A second lacquer workshop was set up in Wajima. The group is focusing on developing products designed to suit the next generation. In the same year, Kazuo’s Makie works reached the overseas market and gradually gained international recognition.
2016. Hujisawa Makie Corp. started to position itself as an international brand for Makie art through collaboration with the Japan External Trade Organization.
Innovation turned out of Tradition
History of Maki-e works and Fujisawa’s Maki-e
Maki-e is a quite unique Japanese traditional lacquered art; that can be mainly applied over the lacquered ware or the Buddhist altar fittings, with following procedure.
In the first place, the base pattern or design is drawn by lacquer, then as next step, the gold or the silver powder is scattered over the base design, and then the lacquer is recoated over. After dried the lacquer, the lacquered items are polished besides if necessary, another decoration work is applied for getting more shining.
Above technique may require more than 10 processes so that even with one basic design, the finished product may become as if they looks totally different works by using different colour or different combination of the colours.
The history of Maki-e is rather old, it was already found in the era of Nara (8th century) and then has been developed more widely in Heian Era (8th century )
Maki-e has attracted many Europeans very much, those who came to Japan during Momoyama Era (16th century) so that a lot of Maki-e articles were brought into Europeand they were appreciated as very luxurious items by many aristocrats such as Marie Antoinette or the Kings and the Lords which decorated the many royal palaces.
The naming of lacquered items was given as “Japan” after its origin country just like the case of “China” which represents ceramic wares.
In the era of Edo (1603-1867) , that was the era of Samurai (worrier), the Maki-e articles were so popularly offered as the precious gifts by Samurai Lord for the ceremony of weddings or they became more elaborateddecorated items used for pill boxes of Samurai or combs for ladies.
There are basically 3 different kind of Maki-e; such as “Flat lacquered Maki-e”, “Migaki Dashi Maki-e” (Polish shining Maki-e), and “Taka-Maki-e”.
In our Fujisawa Maki-e, we are using Johoji lacquer available in Iwate Pref., Japan, that was used for restauration of World Heritage or Japanese National Treasure.
In addition, we are making accessories and other decorative articles by making use of the technologies of Maki-e on top of working for traditional lacquered arts and Buddhist
altar fittings. I am also engaged in holding classroom where the people can enjoy the experience of lacquered art. My challenge will continue not only for keeping such good and traditional technique of Maki-e art but also for developing innovation of Maki-e art.
“Owl in the forest”
Ambar with pearl lacquered
Tortoiseshell with lacquered work
Watch for men
“Dragon” (Takumi Series)
Dial with lacquered Work
Watch for ladies
“Owls with moon”(Beauty Series)